พระพุทธรูปปางนาคปรกสัมฤทธิ์โบราณ หน้าตัก 5นิ้ว

“The Phuttharaksa Private Museum” proudly presents an ancient bronze Buddha statue in the Naga Prok posture, which is several hundred years old, for members to study and examine. The details are as follows:

The exact origin of this statue is unknown. Its exterior shows signs of having been buried in the soil in the past.

The statue is several hundred years old.

Artistic details:

This is a Buddha statue in the Naga Prok posture with the following characteristics:

The Buddha is seated in a diamond-crossed meditation posture.

The robe is draped over one shoulder, with finely detailed pleats and a large sash extending from the left shoulder to the middle of the body on the left side.

The hair is gathered into a single bun on top, with fine, delicate hair details.

The face is round, with eyes slightly open looking downward, thin and arched eyebrows, a small pointed nose, and a small, beautiful mouth with a faint smile. The ears are long, like Bai Sri (traditional Thai-style).

The base of the statue has 5 tiers. The bottommost tier is the largest and smooth, while tiers 2 to 4 represent the coils of the Naga (serpent) with intricate details. The topmost fifth tier consists of overlapping large and small lotus petals, exquisitely detailed. At the back, the Naga’s body coils up, dividing into seven heads that fan out above the head of the principal Buddha.

The statue is made from bronze alloy with natural green patina.

The soil beneath the base is coarse, similar to ancient Thai clay, and is very hardened with age.

The statue was created using the ancient casting technique known as “open-mold” casting, with aged and hardened soil beneath the base.

Dimensions: width 5 inches at the base, base width 6 inches, height 14 inches.

“Principles” for evaluating genuine Buddha amulets involve 3 main components:

Correct age (30%):

Assessed based on natural aging, patina on the metal, and the hardened soil beneath the base.

Correct form (20%) and creation method (20%), totaling 40%:

The form must appear soft to the eye, have depth, proportion, and fine details.

The creation method must be the ancient open-mold casting technique with aged soil at the base.

Authentic materials (30%):

The bronze alloy should display natural patina.

The soil beneath the base should be coarse Thai clay.

All 3 components must be fully considered. A “genuine” Buddha amulet must meet 100% of these criteria.

You can study more about Buddha amulets in different categories at the “Phuttharaksa Private Museum,” which gathers rare and hard-to-find Buddha images, Buddha statues, amulets, talismans, and ancient ceramics from various sources around Thailand. The museum is intended for educational purposes only, with no commercial intent. You can explore more at:

Website: www.puttharugsa.com

Facebook Page: “Phuttharaksa Private Museum”

YouTube Channel: “Phuttharaksa Private Museum”

” 佛陀保护私人博物馆”很荣幸地向会员展示一尊拥有数百年历史的古代青铜“蛇王护法”佛像，供大家学习和鉴赏。详情如下：

这尊佛像的确切起源不详，外表显示它曾被埋于泥土中。

其历史悠久，已有数百年。

佛像的艺术细节：

这是一个“蛇王护法”姿态的佛像，具体特征如下：

佛像盘腿坐于钻石交叉冥想姿势中。

袈裟披在一侧，褶皱细致，且有一条大袈裟从左肩垂至身体左侧中部。

发髻呈一个圆形发髻，头发线条细腻。

面部呈圆形，双眼微开向下看，眉毛细长且弯曲，鼻子小巧且尖，嘴唇小巧而微笑，耳朵呈传统泰式“拜狮”风格。

底座分为5层，最底层最大且平滑，第二至第四层为蛇身的线圈，装饰精美。第五层由大小不一的莲花瓣组成，极其精致。后方，蛇的身体蜿蜒向上，分为七个蛇头，盘绕在佛像头部上方。

佛像采用青铜合金制成，表面有天然的绿色铜锈。

底部的泥土质地粗糙，类似古老的泰国粘土，经过岁月的沉淀，已非常坚硬。

采用古代铸造技术“开模铸造”制成，底部有陈旧而坚硬的泥土。

尺寸：底部宽度5英寸，基座宽6英寸，高度14英寸。

鉴定“真品佛像”的原则需要具备三个主要因素：

正确的历史（占30%）

根据自然老化、金属锈迹和底部的泥土进行判断。

正确的造型（占20%）和制造方法（占20%），合计40%：

造型必须柔和，有深度，比例得当，细节精致。

制作方法必须是古代的开模铸造技术，底部应有陈旧泥土。

正确的材料（占30%）

青铜合金应呈现天然铜锈。

底部的泥土应为粗糙的泰国粘土。

必须全面考虑以上三点，只有达到100%的标准才能称之为“真品佛像”。

您可以在“佛陀保护私人博物馆”进一步学习不同类型的佛像。这里收藏了来自泰国各地罕见的佛像、佛教造像、护身符、古代陶瓷等，旨在提供学术研究，绝无商业意图。可通过以下方式了解更多：

网站：www.puttharugsa.com

Facebook专页：”佛陀保护私人博物馆”

YouTube频道：”佛陀保护私人博物馆”